
I make video that has to earn its place. A launch film that moves product. A campaign spot that signs an athlete. A long-form piece that holds a stranger for half an hour. Before a frame is cut, I want to know what the video is for, because that answer shapes the open, the pace and where every cut lands.
By day I lead marketing across a portfolio of Australian businesses. That is the lens I bring to the edit: a video is a commercial asset, and it gets judged by what happens after it plays.
I work at the front of AI-assisted production. Transcript-driven cuts, generated B-roll, motion and captions built from the words themselves, so an idea can be tested as three different hooks and shipped across every platform with the same finish. The tooling moves fast underneath. What you see is a finished film.
Let's discuss your next project.
Will
ROH Wheels. Product launches, brand films and campaign spots, cut to a brief and a brand system.
1.47M views across the channel
Athlete campaign for ROH. Two signings, one voice: the same energy, the same finish, so the roster reads as a team the moment a new name arrives.
Presenter-led. Screen-recorded evidence and graphics generated from the transcript, so they land on the word.
Faceless, voiceover-led, structured to hold a stranger for half an hour.
1.67M views. 685k on a single video.